cinephilearchive: Two Mules for Sister Sara (1970): Some great rare photos Out of all of Clint’s movies from the 1970s, Two Mules For Sister Sara has been one film that has provided a great deal of behind-the-scenes or production shots. Just recently I have discovered a few new additions, and rather than just adding them to the dedicated “Two Mules for Sister Sara” page (where they may not be seen for a while unless the page is visited) I also decided to post them here as a temp new post. These great shots are rarely seen. —theclinteastwoodarchive When Clint Eastwood decided to direct his first movie, Play Misty for Me, he asked veteran director Don Siegel (Dirty Harry) for some directing advice. Eastwood figured that Siegel would tell him about how to cover a scene with camera set ups or how to deal with actors. But all Siegel said was, “Get plenty of sleep.” Tweet // Follow @LaFamiliaFilm //
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cinephilearchive: Two Mules for Sister Sara (1970): Some great rare photos Out of all of Clint’s movies from the 1970s, Two Mules For Sister Sara has been one film that has provided a great deal of behind-the-scenes or production shots. Just recently I have discovered a few new additions, and rather than just adding them to the dedicated “Two Mules for Sister Sara” page (where they may not be seen for a while unless the page is visited) I also decided to post them here as a temp new post. These great shots are rarely seen. —theclinteastwoodarchive When Clint Eastwood decided to direct his first movie, Play Misty for Me, he asked veteran director Don Siegel (Dirty Harry) for some directing advice. Eastwood figured that Siegel would tell him about how to cover a scene with camera set ups or how to deal with actors. But all Siegel said was, “Get plenty of sleep.” Tweet // Follow @LaFamiliaFilm //
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cinephilearchive: Two Mules for Sister Sara (1970): Some great rare photos Out of all of Clint’s movies from the 1970s, Two Mules For Sister Sara has been one film that has provided a great deal of behind-the-scenes or production shots. Just recently I have discovered a few new additions, and rather than just adding them to the dedicated “Two Mules for Sister Sara” page (where they may not be seen for a while unless the page is visited) I also decided to post them here as a temp new post. These great shots are rarely seen. —theclinteastwoodarchive When Clint Eastwood decided to direct his first movie, Play Misty for Me, he asked veteran director Don Siegel (Dirty Harry) for some directing advice. Eastwood figured that Siegel would tell him about how to cover a scene with camera set ups or how to deal with actors. But all Siegel said was, “Get plenty of sleep.” Tweet // Follow @LaFamiliaFilm //
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cinephilearchive: Two Mules for Sister Sara (1970): Some great rare photos Out of all of Clint’s movies from the 1970s, Two Mules For Sister Sara has been one film that has provided a great deal of behind-the-scenes or production shots. Just recently I have discovered a few new additions, and rather than just adding them to the dedicated “Two Mules for Sister Sara” page (where they may not be seen for a while unless the page is visited) I also decided to post them here as a temp new post. These great shots are rarely seen. —theclinteastwoodarchive When Clint Eastwood decided to direct his first movie, Play Misty for Me, he asked veteran director Don Siegel (Dirty Harry) for some directing advice. Eastwood figured that Siegel would tell him about how to cover a scene with camera set ups or how to deal with actors. But all Siegel said was, “Get plenty of sleep.” Tweet // Follow @LaFamiliaFilm //
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cinephilearchive: Two Mules for Sister Sara (1970): Some great rare photos Out of all of Clint’s movies from the 1970s, Two Mules For Sister Sara has been one film that has provided a great deal of behind-the-scenes or production shots. Just recently I have discovered a few new additions, and rather than just adding them to the dedicated “Two Mules for Sister Sara” page (where they may not be seen for a while unless the page is visited) I also decided to post them here as a temp new post. These great shots are rarely seen. —theclinteastwoodarchive When Clint Eastwood decided to direct his first movie, Play Misty for Me, he asked veteran director Don Siegel (Dirty Harry) for some directing advice. Eastwood figured that Siegel would tell him about how to cover a scene with camera set ups or how to deal with actors. But all Siegel said was, “Get plenty of sleep.” Tweet // Follow @LaFamiliaFilm //
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cinephilearchive: Two Mules for Sister Sara (1970): Some great rare photos Out of all of Clint’s movies from the 1970s, Two Mules For Sister Sara has been one film that has provided a great deal of behind-the-scenes or production shots. Just recently I have discovered a few new additions, and rather than just adding them to the dedicated “Two Mules for Sister Sara” page (where they may not be seen for a while unless the page is visited) I also decided to post them here as a temp new post. These great shots are rarely seen. —theclinteastwoodarchive When Clint Eastwood decided to direct his first movie, Play Misty for Me, he asked veteran director Don Siegel (Dirty Harry) for some directing advice. Eastwood figured that Siegel would tell him about how to cover a scene with camera set ups or how to deal with actors. But all Siegel said was, “Get plenty of sleep.” Tweet // Follow @LaFamiliaFilm //
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cinephilearchive:

Two Mules for Sister Sara (1970): Some great rare photos

Out of all of Clint’s movies from the 1970s, Two Mules For Sister Sara has been one film that has provided a great deal of behind-the-scenes or production shots. Just recently I have discovered a few new additions, and rather than just adding them to the dedicated “Two Mules for Sister Sara” page (where they may not be seen for a while unless the page is visited) I also decided to post them here as a temp new post. These great shots are rarely seen. —theclinteastwoodarchive

When Clint Eastwood decided to direct his first movie, Play Misty for Me, he asked veteran director Don Siegel (Dirty Harry) for some directing advice. Eastwood figured that Siegel would tell him about how to cover a scene with camera set ups or how to deal with actors. But all Siegel said was, “Get plenty of sleep.”

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Brian Eno - Driving Me Backwards

missavagardner: The beauty of a woman is not in the clothes she wears, the figure that she carries, or the way she combs her hair. The beauty of a woman is seen in her eyes, because that is the doorway to her heart, the place where love resides. True beauty in a woman is reflected in her soul. It is the caring that she lovingly gives, the passion that she shows. And the beauty of a woman only grows with passing years. Audrey Kathleen Ruston aka Audrey Hepburn | 4 May 1929 – 20 January 1993 HAPPY BIRTHDAY AUDREY!
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missavagardner: The beauty of a woman is not in the clothes she wears, the figure that she carries, or the way she combs her hair. The beauty of a woman is seen in her eyes, because that is the doorway to her heart, the place where love resides. True beauty in a woman is reflected in her soul. It is the caring that she lovingly gives, the passion that she shows. And the beauty of a woman only grows with passing years. Audrey Kathleen Ruston aka Audrey Hepburn | 4 May 1929 – 20 January 1993 HAPPY BIRTHDAY AUDREY!
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missavagardner: The beauty of a woman is not in the clothes she wears, the figure that she carries, or the way she combs her hair. The beauty of a woman is seen in her eyes, because that is the doorway to her heart, the place where love resides. True beauty in a woman is reflected in her soul. It is the caring that she lovingly gives, the passion that she shows. And the beauty of a woman only grows with passing years. Audrey Kathleen Ruston aka Audrey Hepburn | 4 May 1929 – 20 January 1993 HAPPY BIRTHDAY AUDREY!
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missavagardner: The beauty of a woman is not in the clothes she wears, the figure that she carries, or the way she combs her hair. The beauty of a woman is seen in her eyes, because that is the doorway to her heart, the place where love resides. True beauty in a woman is reflected in her soul. It is the caring that she lovingly gives, the passion that she shows. And the beauty of a woman only grows with passing years. Audrey Kathleen Ruston aka Audrey Hepburn | 4 May 1929 – 20 January 1993 HAPPY BIRTHDAY AUDREY!
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missavagardner: The beauty of a woman is not in the clothes she wears, the figure that she carries, or the way she combs her hair. The beauty of a woman is seen in her eyes, because that is the doorway to her heart, the place where love resides. True beauty in a woman is reflected in her soul. It is the caring that she lovingly gives, the passion that she shows. And the beauty of a woman only grows with passing years. Audrey Kathleen Ruston aka Audrey Hepburn | 4 May 1929 – 20 January 1993 HAPPY BIRTHDAY AUDREY!
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missavagardner: The beauty of a woman is not in the clothes she wears, the figure that she carries, or the way she combs her hair. The beauty of a woman is seen in her eyes, because that is the doorway to her heart, the place where love resides. True beauty in a woman is reflected in her soul. It is the caring that she lovingly gives, the passion that she shows. And the beauty of a woman only grows with passing years. Audrey Kathleen Ruston aka Audrey Hepburn | 4 May 1929 – 20 January 1993 HAPPY BIRTHDAY AUDREY!
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missavagardner: The beauty of a woman is not in the clothes she wears, the figure that she carries, or the way she combs her hair. The beauty of a woman is seen in her eyes, because that is the doorway to her heart, the place where love resides. True beauty in a woman is reflected in her soul. It is the caring that she lovingly gives, the passion that she shows. And the beauty of a woman only grows with passing years. Audrey Kathleen Ruston aka Audrey Hepburn | 4 May 1929 – 20 January 1993 HAPPY BIRTHDAY AUDREY!
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missavagardner: The beauty of a woman is not in the clothes she wears, the figure that she carries, or the way she combs her hair. The beauty of a woman is seen in her eyes, because that is the doorway to her heart, the place where love resides. True beauty in a woman is reflected in her soul. It is the caring that she lovingly gives, the passion that she shows. And the beauty of a woman only grows with passing years. Audrey Kathleen Ruston aka Audrey Hepburn | 4 May 1929 – 20 January 1993 HAPPY BIRTHDAY AUDREY!
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missavagardner: The beauty of a woman is not in the clothes she wears, the figure that she carries, or the way she combs her hair. The beauty of a woman is seen in her eyes, because that is the doorway to her heart, the place where love resides. True beauty in a woman is reflected in her soul. It is the caring that she lovingly gives, the passion that she shows. And the beauty of a woman only grows with passing years. Audrey Kathleen Ruston aka Audrey Hepburn | 4 May 1929 – 20 January 1993 HAPPY BIRTHDAY AUDREY!
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missavagardner:

The beauty of a woman is not in the clothes she wears, the figure that she carries, or the way she combs her hair. The beauty of a woman is seen in her eyes, because that is the doorway to her heart, the place where love resides. True beauty in a woman is reflected in her soul. It is the caring that she lovingly gives, the passion that she shows. And the beauty of a woman only grows with passing years.
Audrey Kathleen Ruston aka Audrey Hepburn | 4 May 1929 – 20 January 1993

HAPPY BIRTHDAY AUDREY!

(via coco-and-co)

Source: missavagardner

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